day_bed

(Source: mangelp)

(Source: mangelp)

(Source: closertohell)


No Globes by Dorothy.
The single greatest threat to the climate comes from burning coal but despite this a whole new fleet of dirty coal-fired power stations are on the verge of being built in the UK (the first for 30 years). The snow globe was designed for Ctrl.Alt.Shift in anticipation of the United Nations Climate Change Conference in Copenhagen 2009.

No Globes by Dorothy.
The single greatest threat to the climate comes from burning coal but despite this a whole new fleet of dirty coal-fired power stations are on the verge of being built in the UK (the first for 30 years). The snow globe was designed for Ctrl.Alt.Shift in anticipation of the United Nations Climate Change Conference in Copenhagen 2009.

No Globes by Dorothy.
The single greatest threat to the climate comes from burning coal but despite this a whole new fleet of dirty coal-fired power stations are on the verge of being built in the UK (the first for 30 years). The snow globe was designed for Ctrl.Alt.Shift in anticipation of the United Nations Climate Change Conference in Copenhagen 2009.

No Globes by Dorothy.

The single greatest threat to the climate comes from burning coal but despite this a whole new fleet of dirty coal-fired power stations are on the verge of being built in the UK (the first for 30 years). The snow globe was designed for Ctrl.Alt.Shift in anticipation of the United Nations Climate Change Conference in Copenhagen 2009.

(Source: play)


THE GLOWING HOMELESS
We could not say this better than ignantblog.com…the following is an excerpt from their piece on Fanny Allie’s, The Glowing Homeless
“It is this ghostlike existence, the state of being absent while being present, which is of interest to the French artist Fanny Allié. ‘The Glowing Homeless’ is an installation of neon tubes which represents the silhouette of a sleeping human. It precisely refers to the figure of a homeless person who chooses to perform the actually intimate act of sleeping amongst the park’s crowd but still stays excluded. He becomes a part of the surroundings of trees, benches and playgrounds and is thus almost invisible. Using the warm glow of the neon tubes, the artist creates an alluring object with the aim to bring light in to the darkness of New York’s parks and to change people’s attitude from avoidance into curiosity so they are drawn towards the figure on the bench. Thus Allié brought an object into being that represents the thousands of homeless that face social exclusion and the troubles of street life every day and night and, without becoming monumental, she also manages to aesthetically confront the difficulties of the ongoing art theoretical debate of the merge of private and public space.”

THE GLOWING HOMELESS
We could not say this better than ignantblog.com…the following is an excerpt from their piece on Fanny Allie’s, The Glowing Homeless
“It is this ghostlike existence, the state of being absent while being present, which is of interest to the French artist Fanny Allié. ‘The Glowing Homeless’ is an installation of neon tubes which represents the silhouette of a sleeping human. It precisely refers to the figure of a homeless person who chooses to perform the actually intimate act of sleeping amongst the park’s crowd but still stays excluded. He becomes a part of the surroundings of trees, benches and playgrounds and is thus almost invisible. Using the warm glow of the neon tubes, the artist creates an alluring object with the aim to bring light in to the darkness of New York’s parks and to change people’s attitude from avoidance into curiosity so they are drawn towards the figure on the bench. Thus Allié brought an object into being that represents the thousands of homeless that face social exclusion and the troubles of street life every day and night and, without becoming monumental, she also manages to aesthetically confront the difficulties of the ongoing art theoretical debate of the merge of private and public space.”

THE GLOWING HOMELESS

We could not say this better than ignantblog.com…the following is an excerpt from their piece on Fanny Allie’s, The Glowing Homeless

“It is this ghostlike existence, the state of being absent while being present, which is of interest to the French artist Fanny Allié. ‘The Glowing Homeless’ is an installation of neon tubes which represents the silhouette of a sleeping human. It precisely refers to the figure of a homeless person who chooses to perform the actually intimate act of sleeping amongst the park’s crowd but still stays excluded. He becomes a part of the surroundings of trees, benches and playgrounds and is thus almost invisible. Using the warm glow of the neon tubes, the artist creates an alluring object with the aim to bring light in to the darkness of New York’s parks and to change people’s attitude from avoidance into curiosity so they are drawn towards the figure on the bench. Thus Allié brought an object into being that represents the thousands of homeless that face social exclusion and the troubles of street life every day and night and, without becoming monumental, she also manages to aesthetically confront the difficulties of the ongoing art theoretical debate of the merge of private and public space.”

(Source: hahamagartconnect)